monacohere in what I guess is outer Monaco.  We are booked for only 3 days but Eddie hopes to pick up another date before we go to Venice next week. Hank and Harold have a relative of some sort near Venice that they want to visit and there could be a home cooked meal in it so I’m keeping my fingers crossed. We’re going to try out some new arrangements this week and I’ve got an accordion solo worked out that will make Eddie’s ears burn. Speaking of Eddie, his musical pick for this week is an album titled ” Kaleidoscope of Rainbows” by Neil Ardley. Released on Gull records in 1976, recorded in London this album features a brilliant ensemble about a dozen strong, featuring among others the wonderful Barbara Thompson on saxes and flute. This album is great from start to finish and I believe was released on CD a couple of years back. I saw Barbara Thompson and her group Paraphanelia III at the Bulls Head Pub  in London, summer of 1978 . It was a good show in a very small room as I recall. Anyway I agree with Eddie on this one so check it out if you can, I’m off to do laundry..ahh the glamour of the road. More soon.

image courtesy of twistedpapers.com

nicethis city of Nice. Although Paris was lovely, it’s very pleasant on the coast here, warm and scenic. The accomodations at the  hotel are more than adequate and it’s a treat not to have to haul our gear around town from gig to gig.  The ballroom has a pretty good sound to it and the Headstock brothers have an in with the kitchen staff ,so we’re eating well. We’ve got a week here then it’s off to Monaco or thereabouts. Meanwhile Eddie says his musical pick of the week is “Are You Glad To Be In America” by James Blood Ulmer. Recorded Jan.17,1980 in NYC and originally released on Rough Trade Records in the UK. This recording captures some of the best aspects of “harmolodic” music of the time. The band is in great form and the production is lean and mean. Tracks like “Jazz is The Teacher (Funk is the Preacher)” and “Layout” are real gems. Yeah I have to agree with Eddie on this one, this music is like watching vintage cartoons, it never gets old, ever. Anyway I should get on with laundry if I hope to have anything to wear onstage this evening. Have a good day, more news at our next stop.

image courtesy of twistedpapers.com

parisalso known as Paris, France. The trip here was uneventful, no luggage lost (nice thing about having to sit on it during transit). Eddie says the gig here will be a good chance to warm up before we head to Nice. I’m getting to know the Headstock brothers Hank and Harold, they’re really good players and fun to travel with besides. The weather has been warm and wet, much like back home I’m told. I told Eddie I was blogging while on tour and he wanted to horn in on the action without actually doing anything, so I’ll be persenting his musical recording “pick of the week” as we progress onward. This weeks pick is “Annette Peacock Live in Paris” recorded at the Bataclan live in January 1981 on AURA records. It features 5 tracks, 3 from her 1979 album “X Dreams”.  Eddie likes the album, I think the band gets off to a slow start on the first side but warms up by side 2. I believe Annette is an aquired taste for most listeners, but so is Eddie. We’re doing one nighters in clubs here before moving on to a hotel gig in Nice. I’ll do a new post when we get there, meanwhile time to practice, have a good day.

image courtesy of twistedpapers.com

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is here and now.  I’ve scrapped the final interview show and will leave you instead with some thanks and a word on the next step in” My Life in Sound” , the larger setting for my past, present, and future musical works. For starters I’d like to thank my parents for always having music playing in the house as I grew up, and for being tolerant and kind toward my musical ventures as both a listener and a player. Great thanks are also due to my wife Sarajane for enduring the many years of band practices,the endlessly repetitive nature of loop based music itself, and all the fun that goes along with that and my cheerful being besides. Certainly thanks to all the people I’ve been lucky enough to play music with over the years: Jim Cunningham, Mike Darrah, Rick McCann, Wally Mitchell, Sarajane Helm, Bob Kelley, Marshall Black, Jeff Buffer, Mike Monett, Gerald Nelson, Dave Stafford, Bret Moreland, Mark Hardgrave, and others I’ve jammed with over time. Special thanks to my children Ian and Andrew for keeping me grounded, pushing buttons when asked, and being good kids to boot. Thanks are also in order for those responsible for my involvement with Guitar Craft especially Mr. Robert Fripp whose patience and dedication has been a moving force in many people’s lives both musical and otherwise, including my own.

This series features over 210 individual musical pieces amounting to over 20 hours of original music.Constructing these programs over the past 2 years has made it clear what needs to come next for me…more music So the past has been mined and it’s time to get on with new stuff, which is why this blog will shift it’s focus to notes from the road as I embark on an imaginary world tour with my very real friend Mr. Eddie Ersatz and his orchestra ( or is it a very real tour with my imaginary friend? We’ll let you decide). At any rate I’m packed and ready to go….next stop Paris. Again my sincere thanks to all of you who have taken the time to listen to the music and read the musings, there are more audible treats on the way and maybe a short film if we can swing it , so please stay tuned, and have a good summer. Photo of the recently completed “Zydescopic (formerly diatonic) Accordion” the most recent musical art work from yours truly.

and strangely enough it’s not the final “all talk” episode that was promised.  That show is still in the works, I’ll let you know when it’s finished……in the meanwhile. This show is a live solo “in studio” performance from August 20,1997 of a piece called “Liquid Center”.  Taken from the original master tape, no edits, no MIDI, no “undo” functions, only samples are from the PCM drumbox. This is the third take in it’s entirety, recorded in my home studio. Originally released in 2000  by Studio Seventeen Productions.Performed and recorded by Bryan Helm, all rights reserved by the artist. Thanks to SJ and the boys of summer( including Tom G.) for their inspiration and support. For more info go to at-the-helm.us and click on the icon for “Liquid Center” at the bottom right of the page. Many thanks to those of you who have taken the time to listen to this series, I hope you’ve enjoyed what you’ve heard. FYI this show runs 50 minutes and 44 seconds. As always your comments are welcome,  have a good day.Tliquidcover

after a last blast of winter in these parts. Work on Episode 34 of At-The-Helm is almost complete. The first version of the show ran too long and was really boring so I killed it and am now editing the second version, hopefully to better effect. My apologies to those few of you that are awaiting this installment, I’ll give a holler when it’s ready. Meanwhile here are some blossoms from a couple years back, take care and enjoy the season.blossoms

as I continue to work on the final episode in this retrospective. I hope to have it wrapped up soon. I’d like to welcome any new readers and listeners and thank you for stopping to check out my work After the final interview show there are still some other surprises to come so please stay tuned and I hope you enjoy what you hear. I’ll leave you for now with a look down the road in winter.snowroad

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Show #33 in the My Life in Sound series is the next to last in this retrospective. This time the music is again from 2005-6 and was recorded in my home studio in Colorado. Titles and start  times are as follows:

1- Omnistop Intro  00:00
2-  A  Walk Into Town  02:54
3-  April Fools  06:30
4-  Fit To Be Tied  11:54
5-  Todd Is God  15:47
6-  Omnistop Outro  18:06
7-  Roll The Credits  22:26
8-  The Walk Home  26:03  
Performed and recorded by Bryan Helm. All rights reserved by the artist. Tracks 1,2 and 6 contain samples of recorded works by other artists, used here without permission. For more information please visit at-the-helm.us and follow the links. Thanks for listening, next show is all talk and will cover aspects of information from all the music only shows and a couple of other things , so please do tune in. Photo from RMNP looking upstream circa 2006.

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Episode 32 of At-The-Helm.This installment in the My Life in Sound series consisits of more solo work from the home studio circa 2005-6. Titles and starting times are as follows:

 1- Intro  00:00
 2- Pieces  1:55
 3- Dad’s Taxi  5:10
 4- After The Saints  08:35
 5- Monkey Slide  10:43
 6- Go Soak Your Head  13:08
 7- Picture Postcards  17:20
 9- Distant Objects  20:26
10- Outro 25:56

Performed and recorded by Bryan Helm. All rights reserved by the artist. Tracks 4 and 7 feature samples of other artists recorded work, used here without their permission, with my apologies and thanks to those musicians.  For more info on this series please visit  www.at-the-helm.us  Thanks for listening! More very soon, meanwhile another photo from the antique farm equipment show of a couple years ago.

glasstree1in the form of At-The-Helm Episode 31.  Show #31 is an all solo adventure showcasing recordings done in my home studio during 2005 and 2006. Tracks and start times are as follows:                                                                                    
1Dustbowlarama 00:00                                                                                                                                                                                                  
2- Do The Wobble  02:55
3- Monkey Shuffle  05:13
4- Never Gonna Happen  09:23
5- The Slow Horizon 14:14
6- In Step Two Step  18:39
7- Long Away and Far Ago  21:25
8- Forest of Jade  27:22

Performed and recorded by Bryan Helm. All rights reserved by the artist. Tracks 4 & 7 feature drum loops built upon samples of existing sound recordings not officially sactioned for such use. My apologetic thanks to any artists whose work I’ve sampled to use in my own recordings. I’ve made an effort to note where and when in my works these elements are present. All other instruments in these “solo” recordings are played entirely by me.  Best wishes to all in this holiday season and a promise of new music in the new year. Thanks for reading and listening. Glass Christmas tree by Mad Margie

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